Specialty Subs and Speakers
Our specialty subwoofers are designed for the commercial cinema, studio, home theater and the high-end, hi-fi market. The DTS Series utilize our patented Tapped Horn™️ technology yet they are distinct from Danley’s TH series in that they are not designed to fill a stadium just provide the perfect level of bass for your living room.
Given Danley's efforts in innovation, not every product fits neatly in a standard category. The products below are specialty products that we've found to be beneficial for our customers in select circumstances.
We consider this the world’s smallest high output commercial subwoofer. Combining high sensitivity with very low frequency cutoff in a sub-compact package, the CS30 offers more than 120 dB Spl at 33 Hz. And, even better, the CS30 is available in both touring and install models for easy installation or portability.
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We took a conventional horn loaded subwoofer design and made it better in our own incomparable way. The result is a “punchy” sub that is right at home conveying high-powered rock and roll. Featuring a front-loaded, folded horn design, the DBH218 behaves conventionally in that adding boxes together not only increases the output but extends the low frequency response downward. The DBH218 is most efficient in the 80 Hz range. This powerful subwoofer is great in club and music venue environments and also comes in a touring edition.
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This subwoofer lands in Danley’s “monster” category with good reason. It is the reference standard high-definition cinema subwoofer – with an unheard-of output down to 10 Hz. That is at least twice the power of the renowned DTS20. The DTS10 makes an outstanding home theatre solution. In fact, we guarantee it will make any home theatre enthusiast drool.
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This subwoofer has earned the nickname “Tower of Power” because it is simply the most powerful, lowest frequency reproducing subwoofer on the planet. Offering solid output down to 16 Hz, single digit distortion, and incomparably low group delay, the DTS20 is in a class by itself. In fact, it is the perfect choice for ultra-high-end home theatres, industrial/ military/research facilities, commercial cinemas, mastering facilities, electronic organ reproduction, and commercial surround sound recording/playback. The Tower of Power also features removable covers that allow two different options for the location of the acoustical output – all of which will be determined by the installation orientation you choose.
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The THSPUD subwoofer can easily be installed under or behind the seats in your home theater thanks to its’ 11 inch depth. The THSPUD is capable of producing incredibly deep bass that you can feel with a flat response all the way down to 17 Hz while handling 800 watts. The THSPUD features removable covers that allow for three choices for the location of the acoustical output based on the installation orientation you choose. An optional steel grill is also available upon request.
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Made possible by the Synergy Horn™, the GH60 represents a paradigm shift in loudspeaker technology. That is because the GH60 Genesis Horn incorporates three patents in one box: the Synergy Horn™, the Paraline™ and the Shaded Amplitude Lens™. The result is everything you wanted a line array to do and more. The GH60 houses a total of 18 drivers utilizing 21 horizontal 20-degree downward vanes that provide even front-to-back coverage (better than line array performance) from a single point source. Due to the Shaded Amplitude Lens™, the GH60 has 16dB of gain on the furthest listener’s axis, and all 45 degrees of the vertical coverage is useable.
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A real problem solver for unique acoustic conditions, the SF1 is a two-way loudspeaker design housing two 8-inch low frequency drivers and a single 1-inch-high frequency compression driver. What helps set this speaker apart is its asymmetrical vertical dispersion, which allows for extremely even coverage.
Driver placement within the horn, in unison with a synergy crossover network, allows for proper phase alignment between frequency bands. This permits the physically separated bands to combine and emerge from the horn in synchrony, greatly reducing off axis distortions in frequency response while also allowing for high amounts of clarity at great distances. Furthermore, out of band harmonic distortion is limited due to the use of acoustic low pass filters. It provides even coverage front to back and nearly 180 degrees wide.
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